— SoundKarD (@vokeyelec) April 22, 2017
SoundKarD are running an inaugural call for pre-existing works for voice, keyboard and electronics (specification below) to feature in our 2017/2018 concert programme. We are particularly keen to receive works that have been written in the past 5 years. Submissions needn’t use staff notation and we welcome works that incorporate improvised material.
This call is open to all composers regardless of nationality, age or career stage.
All submissions should be sent electronically in PDF (score/text) and mp3 format (details below).
All submissions should be sent electronically to firstname.lastname@example.org. We recommend you use a file-sharing platform (such drop box, sound cloud etc.) if submitting large format media files.
Submissions should include:
1) Cover page with the following information;
2) Program Note (300 words maximum) in PDF.
3) Performance score in PDF.
4) Stereo MP3 recording of the work (if not available to listen online).
5) Technical specifications outlining electronics should be provided in PDF.
The deadline for submissions is midnight (GMT) Friday February 10th 2017. Composers will be notified by email by the end of March, 2017.
If you have any questions or would like more information, please contact us at email@example.com
Some images from Manchester last week, with RNCM composers Anna Disley-Simpson, Carmel Smikersgill and Philip Rousiamanis. SKD performed works by Linda Buckley, Duncan MacLeod, Ryoko Akama, Catherine Lamb and SoundKarD. Performers: voice Sarah Dacey, piano/harmonium Kate Halsall, electronics Duncan MacLeod, w/ guests Anna Disley-Simpson (voice) + Otis Enokido-Lineham (cello), Philip Rousiamanis (violin) Grace Callaghan, Emily Revill, and Hannah Clarke (flutes)